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Even after having risen to the utmost rank of shun'ichi, Yotarou struggles to find his own identity in the world of rakugo. Caught between his master's teachings and the late Sukeroku's unique style, his performance lacks an important ingredient—ego. And while his popularity packs the theaters, he is but one of the few; rakugo is under threat of being eclipsed. Meanwhile Yakumo, regarded by many as the last bastion of preserving the popularity of rakugo, struggles to cope with his elderly state. Even though his performances are still stellar, he fears that he is nearing his limits. His doubts grow stronger as an old friend creeps ever closer. Konatsu, for her part, attempts to raise her son as a single mother, which Yotarou is heavily opposed to. Instead, he seeks to persuade her to marry him and in turn raise her son as his own. In Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen, the curtains fall on Yotarou and Yakumo's story, tasked with restoring the near-obsolete art form as well as overcoming their internal conflicts. [Written by MAL Rewrite]
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Novice bounty hunter Chateau Dankworth never expected to encounter someone capable of overpowering her in combat. Even less so that the mysterious man would take an immediate interest in her—to the point of aiding her missions. However, Chateau makes it clear that she has no plans of entertaining any personal involvement with him. Chateau's company is soon tasked with eliminating Song Ryang-ha—an expert assassin and a former member of a powerful Asian organization. Coincidentally, Ryang-ha is the man that has been pursuing her. Despite his background, Chateau reluctantly agrees to meet with Ryang-ha as part of a deal: in exchange for going out with him, he will provide her with the locations of current targets, dead or alive. But when the past begins to haunt both killers, their arrangement may need to come to an end, as their entanglement puts their lives at grave risk. [Written by MAL Rewrite]
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